Esta es una historia de Juan. Juan has a mustache. Juan wears a yellow shirt. And although there are days where Juan feels like he, too, was born into this world in disjoint pieces and shoddily assembled by unskilled hands, Juan is not a piece of furniture. Juan is un conserje. A janitor. Y Juan trabaja en IKEA.
Juan is a sad man.
Juan was not always a sad man.
Some days, Juan leans his mop against the side of an EDEBOVIKEN sink, stares into the mirror, and remembers a younger, happier Juan. Más guapo. Más fuerte. That Juan is no more. Over the years, that Juan has diminished, dwindling like the budget of young college freshmen who do not need the coat hangers they are buying. Young college freshmen who do not even own coats to hang. Juan resents these freshmen. Juan resents the coat hangers they will buy and not use. Juan resents a great many things in his sad, resentful life.
Juan takes his medication, as prescribed by some gringo doctor who uses big words like schizoaffective disorder and anticonvulsants. Sometimes it makes him feel better. Usually, it does not.
Juan mops the floors of the IKEA and gets paid $4.27 per hour.
One day, as Juan is taking out the trash he notices his world is different. Louder, perhaps. More intense. And he does not quite know why.
“WHAT A LIFE. A MISERABLE LIFE. I MUST WITHDRAW INTO MYSELF,” comments a forlorn voice from somewhere a la izquierda.
“Tú y yo juntos,” replies Juan.
And Juan is surprised. Not by the mysterious voice, origins yet unidentified, but by his own voice, low and sandpaper-dry from disuse. But for low grunts and the occasional, “Sí, señor,” Juan has not spoken in many years. Juan has not had someone to speak to in many years.
Juan turns his head in search of his amigo nuevo, but there is nobody in sight.
“Hello?” Juan calls out to the general sales floor.
“Hello,” replies the EKTORP JENNYLUND chair beside his left elbow.
Never in Juan’s recollection has the furniture ever spoken to him before. Up until this point, the furniture, much like Juan’s manager, acted like Juan did not exist. It is very nice. Having someone to speak to is very nice.
Juan wonders why today, of all days, this nice thing has happened.
“Ahh mierda,” he curses, as realization sets in. “Me cago en la leche! I forgot to take my meds!”
(And then, because it bore repeating another two more times:
Me cago en la leche! I forgot to take my meds!
Me cago en la leche! I forgot to take my meds!)
Juan is a sad man.
Juan was not always a sad man.
Some days, Juan leans his mop against the side of an EDEBOVIKEN sink, stares into the mirror, and remembers a younger, happier Juan. Más guapo. Más fuerte. That Juan is no more. Over the years, that Juan has diminished, dwindling like the budget of young college freshmen who do not need the coat hangers they are buying. Young college freshmen who do not even own coats to hang. Juan resents these freshmen. Juan resents the coat hangers they will buy and not use. Juan resents a great many things in his sad, resentful life.
Juan takes his medication, as prescribed by some gringo doctor who uses big words like schizoaffective disorder and anticonvulsants. Sometimes it makes him feel better. Usually, it does not.
Juan mops the floors of the IKEA and gets paid $4.27 per hour.
One day, as Juan is taking out the trash he notices his world is different. Louder, perhaps. More intense. And he does not quite know why.
“WHAT A LIFE. A MISERABLE LIFE. I MUST WITHDRAW INTO MYSELF,” comments a forlorn voice from somewhere a la izquierda.
“Tú y yo juntos,” replies Juan.
And Juan is surprised. Not by the mysterious voice, origins yet unidentified, but by his own voice, low and sandpaper-dry from disuse. But for low grunts and the occasional, “Sí, señor,” Juan has not spoken in many years. Juan has not had someone to speak to in many years.
Juan turns his head in search of his amigo nuevo, but there is nobody in sight.
“Hello?” Juan calls out to the general sales floor.
“Hello,” replies the EKTORP JENNYLUND chair beside his left elbow.
Never in Juan’s recollection has the furniture ever spoken to him before. Up until this point, the furniture, much like Juan’s manager, acted like Juan did not exist. It is very nice. Having someone to speak to is very nice.
Juan wonders why today, of all days, this nice thing has happened.
“Ahh mierda,” he curses, as realization sets in. “Me cago en la leche! I forgot to take my meds!”
(And then, because it bore repeating another two more times:
Me cago en la leche! I forgot to take my meds!
Me cago en la leche! I forgot to take my meds!)